Leave your feedback Share Copy URL https://gographicsoutput.com/video/InAb2wI3VLL.html Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Outten Visiting Artist Lecture: Alison Saar (April 4, 2017) [8L33rW1rD2R] Health Updated on August 06, 2026 EDT — Published on August 06, 2026 EDT Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. sOWwxRcAXdS Rv5qRkRydzh L9yETfKrRyH UEQSJKu4jUU uFR2k7ZFXYS 28TC6lLirD7
Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. sOWwxRcAXdS Rv5qRkRydzh L9yETfKrRyH UEQSJKu4jUU uFR2k7ZFXYS 28TC6lLirD7