Leave your feedback Share Copy URL https://gographicsoutput.com/video/ABePRWqGBTa.html Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Outten Visiting Artist Lecture: Alison Saar (April 4, 2017) [FyQn1HpFNPY] Health Updated on August 07, 2026 EDT — Published on August 07, 2026 EDT Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. K8VtXaPADJ2 TMm13REEKYt RrQpme5GBbU ZxeCYKTyRIG n9nXx1vMmDu HswNx4SWglT
Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. K8VtXaPADJ2 TMm13REEKYt RrQpme5GBbU ZxeCYKTyRIG n9nXx1vMmDu HswNx4SWglT